Sunday 17 February 2013

Never judge a book by it's cover!

Seeing a lineup such as the Kerrang! Tour of 2013 is hard to resist applying for and shooting a bunch of bands that I usually wouldn't listen to. The sort of music Kerrang has slowly evolved into is more into the new age rock of the 21st century which mainly consists (of what I would call) 'screamo' music. I still stand by my guns with that and won't suddenly begin to like it but after witnessing the Kerrang! Tour I can say that the main headliners The Black Vaile Brides were a great bunch of performers and entertainers! To say the least....


First up was Fearless Vampire Killers who I was late to shoot as I was trying to sort out a photo pass that had been misplaced... however I managed to quickly snap a few photos in the last 10 seconds of the 3rd song haha. I was then quickly ushered out of the pit and into the sweaty crowd of teenagers. The following band Tonight Alive were a band from 'down under' and I must say I really enjoyed shooting these guys, they were great with the crowd and the toggers; pointing and gesturing to the crowd all sorts of actions to engage them with their music.


Chiodos was the penultimate band to perform and this is sort of band that would usually make me cringe as all I hear really is a deeper voiced Jaba the Hut but with a really bad cough... not my sort of thing but again I can't judge a book by it's cover as they were actually really good. They entertained the crowd and had such a high level of energy on stage.

 
The main act of the night, Black Veil Brides, hit of their set with a bit of a bumpy start as lead singer Andy Biersack injured himself on entering the stage causing the first song to be put on hold while paramedics tended to the frontman. Not what they had in mind! The guys were great fun to shoot, giving the toggers in the pit everything they wanted, the poses, the outrageous moves and the exaggerated playing styles. Grabbing as many action shots as I could the time in the pit went quicker than any other gig I have shot and would love to have the chance to shoot them again. Again not really my sort of music but they were great!
 
 
Hopefully more gigs will be coming my way this year including Journey, Whitesnake, Lawson, McFly and maybe a Kasabian charity gig at Doncaster sports hall!
  

Monday 4 February 2013

First gig of 2013... FIANLLY!!


So after being deprived of shooting any sort of live entertainment for almost a whole month (the last thing I shot before this being the Human League at Sheffield City Hall) I am finally back in with the togging action and have a lineup of artists to shoot left, right and centre, and it all kicked off with having a pass to shoot up and coming country guitarist Jake Bugg at the Sheffield O2 which was a real challenge in more ways than one!


Not only was it Jake Bugg that would take to the stage at the O2 but Hudson Taylor and Little Green Cars would also share their music with Steel City's crowd that had shown for the night. Hudson Taylor are a 3 4 piece band from Ireland and Little Green Cars being a 6 piece band from Ireland. They both performed well and kept the crowd entertained for few hours while Bugg was being pampered and groomed backstage ready for his first night on his headline tour. Only at the age of 18 you have to give him credit of his achievements. Having already toured with Noel Gallagher and Snow Patrol he has achieved so much in the time he has been around.


Hudson Talor and Little Green Cars were a good warm up act for Jake but I wouldn't think they would have their own headline gig for a while, not until they come up with more interesting material at least. Trying to tease the crowd and get them to sing along is good, but you need to know how to work the crowd and I hate to say it but Hudson Taylor didn't deliver. Doing the old "we say... you say..." didn't really work when they tried it out. It might have worked if the O2 venue was more than half empty (not half full haha). Little Green Cars were a little better than Hudson Taylor and got a few members of the crowd having a groove and jive, I can see them going far especially since they have such a talented vocalist.


Hopefully I get a few more gigs this year than last I am now more equipped with contacts and already have a bunch of potential gigs lined up for me including The Darkness at Sheffield's City Hall at the beginning of March, I really hope I get this show as Justin is such a frontman and would be such a icon to photograph live on stage. Till then...................


Tuesday 18 December 2012

Going into a new year!

So after a long period of time and without a post since I shot W.A.S.P at the Leeds O2 Academy, I thought I had better update my blog and let you guys know (well those that are interested in knowing) what I've been up to in the past few months!


Firstly I got an email confirmation saying I had an AAA pass for the Human League's XXXV tour... which is always a good email to get in these harsh winters. I wanted to shoot one of the show's so I went to a few of the shows before I shot the show in Sheffield to get to see what the lights were like and get prepared. I travlled up to Nottingham to see them at the royal concert hall and then the next day I travlled up to Halifax to see them at the Halifax theater which, if I don't say so myself, was a LOT better than Nottingham. The crowd was more livey and the band were in full swing.

It came to the night of the Sheffield show and I was all prepared to shoot! There was no one else in the pit apart from a friend of the bands keyboard player, Neil, who was a photographer called Tracey Welch. No paper or website had commision for the show which was a nice feeling and I could shoot the entire show from where I wanted plus have the usual 3 songs from the pit. Another success that came from having no other photographers there was that if anyone needed any photos they had to come to me for them... I was in luck! The lighting and set design company wanted a photo of the set being used in action and I made a sale.

Next up for me was shooting a much loved band of mine... the mighty Thin Lizzy who I had previously missed out on earlier this year when they played the city hall in Sheffield. This time I was at the Leeds O2 again and after shooting W.A.S.P there a few months back knew how difficult it was. The pit is about 3 feet wide and the stage is quite tall for an O2 academy so I was litrally shooring up Scotty's nose! I got 3 songs from the pit and then was told I could shoot the rest of the shot from anywhere else. It was a good job as well as the lighting for the first 3 songs were shocking! The first song 'Are you ready' I wouldn't say was a song as it doesn't last that long then the band kicked into the Lizzy classic 'Jailbreak' to which the crowd jumped up and down in time clapping (I missed some wothwhile shots there).

All in all this year has gone well for me and I hope that my exams in the coming year don't stand in the way too much so I can still shoot some awesome stuff! I'm hoping to get on the NME tour photo list :-P Let's hope I do.

Sunday 30 September 2012

W.A.S.P at Leeds O2 Academy

So on the Friday evening of the 28th of September I caught a train down to Leeds in West Yorkshire to see the almighty W.A.S.P on their "30 Years of Thunder" tour that they had been doing the rest of the year and it had finally come to Europe... I just had to be at it!

As the time drew closer to the gig I must admit I got more and more excited... having listened to this band for about 8 years now and never had a chance to see them I was so anxious to start shooting. I had never been to the O2 academy in Leeds either so had no idea really what the shooting conditions would be like or what sort of lighting was usually used there (I was hoping it wasn’t the dreaded ‘red light’ or else I would be in trouble, unfortunately I'm not rich enough to get a fixed 2.8 or even 1.8 lens so I had my trusty 3.5 wide angle and zoom lens on hand).

Me and my mate arrived at the academy with plenty of time to spare, I always like to arrive early to get a clear picture of the equipment setup I might need and also to take a look round the venue and have some chats with the other toggers there. At the Leeds show there were only 6 toggers including me so I knew the pit wouldn’t be that cramped and I would have plenty of space to shoot without getting in anyone’s way. Arriving at the guest box office we were told that we were not down for any passes which gave me a slight heart attack but then they found our names and I had my pass for the night which let me shoot the first 3 songs from the pit with no flash... and even better there was NO photo release form to sign which for any photographer out there is a serious benefit!

The band before W.A.S.P I didn’t really pay attention to just waited for the main act to come on so I could get my pictures and then venture out into the crowd to watch the show. When the time came I started with my wide angle lens (14-42mm) as I had already done a shot test with the zoom lens and I found it to be a little too zoomed in... W.A.S.P was a band that I knew would be better off with full body shots rather than close up face shots. The band entered to an uproar of applause and kicked into their first song which then the toggers in the pit started shooting. It was difficult at first because they played a high tempo song and were moving around constantly and not even stopping to pose for the camera. Never the less I got my shots and left the pit to take a look at them... I a few hundred shots and managed to narrow them down to about 25 that really stood out for me... any lens blur just wouldn’t do for me.

I managed to have a chat to another photographer that I knew in name but never had met in person... Tracey Welch, who also blogs as well and is friends with some other people I know so it wasn’t too awkward introducing myself to her. Having shot for the likes of NME she knows what she’s doing in the business of photography!

Overall it was a cracking night and a review will be posted soon on the music website The Sheffield Scenester, you can also check out my site where you can drop me a message or view more of my photos on my Facebook page.

Tuesday 25 September 2012

Finally a new post!!




Well sorry about the delay in my posts and thank you for giving me over 1600 page views on my Download review featuring Slash on the Zippo stage! Means a lot to me! I have been very busy these last few months both with my education and also photographing bands and a festival for the Olympics (not as exciting as it sounds). Anyway I was a photographer at the Sheftival festival in Sheffield at the Don Valley stadium and it was a fantastic weekend for two reasons; the first being our Jess won gold and the second there was a great selection of bands across two stages. I won’t be posting a review on the festival on here but if you go over to The Sheffield Scenester you can see my review on there plus loads of my photos that I took for them.

So I am thinking of getting a new SLR camera as mine is really outdated for what I need it for (live music photography) so I was thinking of upgrading to the Canon 6D or the canon 5D mark 3 by Christmas time and hopefully a good 2.8 F/ lens by next summer in time to shoot Download festival or Sonisphere festival if they get their act together...

On to the next thing and that is my experience I had with shooting The Cult a few weeks ago (again the review and photos can be seen on The Sheffield Scenester website). It was horrendous, I had to sign a photo release which stated they owned all the photos and then to also find out that it was BS as they went against what they said in the release. Shooting from the crowd and fighting for the best shoot position isn’t fair on their photographers or on the crowd who have paid for the ticket! No pit access was allowed and we eventually had to shoot from the back... good job I had my handy 200mm lens with me with an F/4. Killing Joke had already backed out so it was just the right grabbers and The Mission to shoot who, by the way, posted on their site an apology about the shooting situation stating it was all The Cult’s managements fault for the whole matter.... unreal.

Well coming up this week I’ll be shooting W.A.S.P at the Leeds O2 and then on Saturday I’ll be shooting a new and upcoming band Swiss Lips at Sheffield’s own Leadmill, and I wa requested to cover the night by the PR company Hall or Nothing... I felt chuffed when they asked me to.
Until then...

Don’t forget to check out my Facebook, my Twitter @myleswright90 and TheSheffield Scenester for my reviews and photos!!

Thursday 14 June 2012

Slash, Download 2012

After being with the hugely successful rock band Guns n’ Roses, song writer and guitarist Slash appeared with his new band at the 2012 Download festival headlining the Zippo encore stage on the Friday night. He and Axl Rose both worked together throughout the 80’s and 90’s in Guns n’ Roses and collectively released hugely successful songs and albums the most well known and received album being the 1987 album titled “Appetite For Destruction” which featured hits such as ‘Night Train’ ‘Welcome to the Jungle’ and ‘Paradise City’ all which have peaked in the top 100 and even got to number 1. After the band split up, and left front man Axl Rose on his own, he formed the ‘new’ Guns n’ Roses and Slash teamed up with various artists to bring out his first self tiled album “Slash” which was released in 2010 and which features artists such as Fergie, Lemmy and Iggy Pop. After this album went down well with critics and the fans slash joined up with Alter Bridge’s lead man Myles Kennedy to record a second album, just released a few months back. Slash and Myles started their musical relationship while recording the song ‘Starlight’ which was featured on the “Slash” album, said Myles at Download festival and they have taken it from there.

After having bands on the Zippo stage all day the crowd were getting restless and wanted to see what they had stood all day for... and in the rain! Bands that also featured on the Zippo stage were The Quire Boys, the reunited Little Angels, Nightwish and, if they had turned up on time Europe, but a delayed flight into Donington meant that their set got cut from the whole festival. The crowd had expectations from Slash and he certainly delivered to them playing all of his greatest hits and even putting in some new material from his latest album, as he should. He opened with ‘One Last Thrill’ and then proceeding onto the Guns n’ Roses song ‘Night Train’ to wish Myles had put his own mark on the vocals and which left Axl’s version in the dust! There was no comparison, Myles was just an overall better man for the job he even comes with the added bonus of actually turning up on time and sober! His voice has an edge to it that makes him perfect to sing the new material he has wrote with slash to singing some early Guns n’ Roses stuff that he didn’t sing on. 

I had never seen Slash live before but listen to him constantly on both my music player and his live stuff that shown on TV and I was really excited about hearing these flaming solos I have only ever heard but never witnessed. I have to hand it to him; he knows how to work that guitar! Every note he played had electric running through it and even while dancing around on stage like a headless chicken, still managed to pull off some amazing stuff on his famous Les Paul axe. All the other band members turned their instruments down when he was soloing which was good as we heard them clearly (which is what we were there for, after the entire act is called Slash). You could say that’s harder for him as with his guitar being the centre of attention he has NO room for error and there wasn’t any. All the solos were just how they sounded on the studio albums if not better as they had that input of some improve on Slashes part. 

After about an hour of pleasing the crowd with some fast hits and wild solos the band on stage slowed the pace down a bit and played the song that brought Myles and Slash together ‘Starlight’ to which lighters were brought out and hands were swung in the air. It was a magical moment to watch and even more to see the Download crowd sing their hearts out and to watch Slash play some soft riffs, a well needed break for the band... and the crowd for that matter!! After that they soared through more hits of both Slash’s and Guns n’ Roses including ‘Mr Brownstone’ and ‘Sweet Child O’ Mine’ before ending on a killer ‘Paradise City’. I never thought I would get to hear this played by Slash as I didn’t know that he still played this, and from the crowd’s reaction neither did they! The crowd were once again warmed up to go crazy and Myles had them under his control telling them to sing and they did. If you ever get to hear 20,000 people singing at the same time it is a wonderful moment. The final solo that Slash pulled off was crazy, I'm surprised that the band could keep up. He was on FIRE! He ripped through the solo going crazy all over the stage before finally thanking Donington for being there to support him and his band and finally walked off.

Every band that day played amazingly and pleased the crowd, the only downside was not to see Europe play put instead having to hear the fans in the crowd sing ‘The Final Countdown’ which I have to admit was pretty funny. Till next year Donington... 

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Sunday 27 May 2012

Brit Floyd Live Sheffield City Hall 2012


Now usually I’m not one to go and see a tribute band, after all why see a cheap tribute when you can pay decent money and go see the real thing in a big arena packed full of people and that has a great atmosphere. Tributes are made up of musicians that try to act like the band member from the official band and usually do a very poor job trying pulling it off, they can’t sing like the original band can nor can they pull of some of the crazy solos that their guitar heroes can pull off. Tributes are just awful. Enter Brit Floyd, the number one tribute to Pink Floyd. These guys have been all the way round the world and have actually played the big arenas playing everything from ‘Money’ to ‘Comfortably numb’ and in front of thousands.  They have the looks, the personality and the feel that Pink Floyd had back in the 70’s and 80’s and if you shut your eyes you would not be able to tell the two bands apart. Pink Floyd was once one of the biggest bands in the world and still to this day sell millions of records and have the 2nd best ever selling album titled ‘Dark Side of The Moon’. To become a Pink Floyd tribute you have to get it right 100% and have no room for error.

I had seen adverts for this band all over the internet and through posters in Sheffield and with each one was attached a snippet of a review and a 5 star rating attached to every one of them. Well I can tell you the band was a 5 star tribute; they had brought everything with them that you would expect a true Pink Floyd band to bring including Pink Floyd’s light show and the projections that shine down onto the stage and the backdrop, I was shocked at the supreme quality this band had managed to deliver to us, the audience. They had the effects and stage production of Pink Floyd down to a tee and I was blown away. The only thing they were missing, only because they were playing such a small venue, was the inflatable pig and school teacher otherwise their stage production was fantastic!

The band itself was made up of guitarist/singer Damian Darlington, bassist/singer Ian Cattell, lead guitar Bobby Harrison, drummer Arran Ahmun, keyboard player Rick Benbow, sax player Carl Brunsdon and backing singers Emily Jollands, Rosaleen O'Connell, Jacquie Williams and Ola Bienkowska. The 4 female singers did a great job at singing the backing vocals to all the songs and when singer Ola Bienkowska stepped up on her own to sing the powerful Great Gig in The Sky she blew the audience away. I’ve heard people try to sing this song but I have heard no one with a voice powerful enough to sing it and reach them high notes without being out of tune and it sounding like a cat getting run over. She had it and it was raw and energetic and was topped off with a standing ovation from the whole of Sheffield city hall. The rest of the band too were fantastic and bassist and singer Ian Cattell, who I presume was meant to be the Roger Waters of the group, did a terrific job at playing his part. What stood out mostly for me was when Ian sang ‘Comfortably numb’ dressed in a doctors outfit and dealing with a patient sat in a chair on stage, it was the song I thought really brought out the band’s stage production. Damian took over Gilmour’s part at the vocals and the two together were like the last two pieces of a jigsaw, they fit perfectly! At the point where it was time for Gilmour’s solo in the song Damian was ready and pulled it off note for note, it could have been the real thing up there playing this but no it was someone who had literally just mastered it and didn’t go wrong once. This was accompanied by the whole hall lighting up and a disco ball hanging from the ceiling that added to the already therapeutic atmosphere that was inside the hall, I couldn’t have been more relaxed if I wanted to be.

The set-list that these guys played was based on the new Pink Floyd hits album named “A Foot in The Door” which was released back in November 2011 and features mostly the hits from “Dark Side of The Moon”, “The Wall” and “Wish You Were Here” albums. The album also contains hits from other Pink Floyd albums such as ‘High Hopes’ from “The Division Bell” and ‘Learning to Fly’ from “A Momentary Lapse of Reason”. The set-list included the obvious hits such as ‘money’, ‘Another Brick in The wall’, ‘Pigs’ and ‘Run Like Hell’ which was the band’s closing song and was the song that got people on their feet clapping and cheering on the band. This 45 date UK tour also concentrated on another one of Pink Floyd’s hits albums named “Echoes” which was released November 2001 and features a wider variety of Pink Floyd hits unlike the “A Foot in The Door” album which is a more condensed compilation album. They got the set-list just right, taking a mix of songs from both these albums. They enjoyed playing it and most importantly the crowd loved watching it! 

Overall this band were jaw dropping to say the least, they were very authentic and came with the whole package. The show and the stage production were outstanding and the lighting was unbelievably great!! If you are going to become a tribute band to really pay respects to a world class band especially one as successful as Pink Floyd, then you need to do it right and I can say with all honesty... Brit Floyd you did just that! What an unforgettable night and a breathtaking experience 11/10 for all you guys!

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