Showing posts with label pass. Show all posts
Showing posts with label pass. Show all posts
Monday, 4 February 2013
First gig of 2013... FIANLLY!!
So after being deprived of shooting any sort of live entertainment for almost a whole month (the last thing I shot before this being the Human League at Sheffield City Hall) I am finally back in with the togging action and have a lineup of artists to shoot left, right and centre, and it all kicked off with having a pass to shoot up and coming country guitarist Jake Bugg at the Sheffield O2 which was a real challenge in more ways than one!
Not only was it Jake Bugg that would take to the stage at the O2 but Hudson Taylor and Little Green Cars would also share their music with Steel City's crowd that had shown for the night. Hudson Taylor are a 3 4 piece band from Ireland and Little Green Cars being a 6 piece band from Ireland. They both performed well and kept the crowd entertained for few hours while Bugg was being pampered and groomed backstage ready for his first night on his headline tour. Only at the age of 18 you have to give him credit of his achievements. Having already toured with Noel Gallagher and Snow Patrol he has achieved so much in the time he has been around.
Hudson Talor and Little Green Cars were a good warm up act for Jake but I wouldn't think they would have their own headline gig for a while, not until they come up with more interesting material at least. Trying to tease the crowd and get them to sing along is good, but you need to know how to work the crowd and I hate to say it but Hudson Taylor didn't deliver. Doing the old "we say... you say..." didn't really work when they tried it out. It might have worked if the O2 venue was more than half empty (not half full haha). Little Green Cars were a little better than Hudson Taylor and got a few members of the crowd having a groove and jive, I can see them going far especially since they have such a talented vocalist.
Hopefully I get a few more gigs this year than last I am now more equipped with contacts and already have a bunch of potential gigs lined up for me including The Darkness at Sheffield's City Hall at the beginning of March, I really hope I get this show as Justin is such a frontman and would be such a icon to photograph live on stage. Till then...................
Sunday, 30 September 2012
W.A.S.P at Leeds O2 Academy
So on the Friday evening of the 28th of September I caught a train down to
Leeds in West Yorkshire to see the almighty W.A.S.P on their "30 Years of
Thunder" tour that they had been doing the rest of the year and it had
finally come to Europe... I just had to be at it!
As the time drew closer to the gig I must admit I got more and more excited... having listened to this band for about 8 years now and never had a chance to see them I was so anxious to start shooting. I had never been to the O2 academy in Leeds either so had no idea really what the shooting conditions would be like or what sort of lighting was usually used there (I was hoping it wasn’t the dreaded ‘red light’ or else I would be in trouble, unfortunately I'm not rich enough to get a fixed 2.8 or even 1.8 lens so I had my trusty 3.5 wide angle and zoom lens on hand).
Me and my mate arrived at the academy with plenty of time to spare, I always like to arrive early to get a clear picture of the equipment setup I might need and also to take a look round the venue and have some chats with the other toggers there. At the Leeds show there were only 6 toggers including me so I knew the pit wouldn’t be that cramped and I would have plenty of space to shoot without getting in anyone’s way. Arriving at the guest box office we were told that we were not down for any passes which gave me a slight heart attack but then they found our names and I had my pass for the night which let me shoot the first 3 songs from the pit with no flash... and even better there was NO photo release form to sign which for any photographer out there is a serious benefit!
The band before W.A.S.P I didn’t really pay attention to just waited for the main act to come on so I could get my pictures and then venture out into the crowd to watch the show. When the time came I started with my wide angle lens (14-42mm) as I had already done a shot test with the zoom lens and I found it to be a little too zoomed in... W.A.S.P was a band that I knew would be better off with full body shots rather than close up face shots. The band entered to an uproar of applause and kicked into their first song which then the toggers in the pit started shooting. It was difficult at first because they played a high tempo song and were moving around constantly and not even stopping to pose for the camera. Never the less I got my shots and left the pit to take a look at them... I a few hundred shots and managed to narrow them down to about 25 that really stood out for me... any lens blur just wouldn’t do for me.
I managed to have a chat to another photographer that I knew in name but never had met in person... Tracey Welch, who also blogs as well and is friends with some other people I know so it wasn’t too awkward introducing myself to her. Having shot for the likes of NME she knows what she’s doing in the business of photography!
Overall it was a cracking night and a review will be posted soon on the music website The Sheffield Scenester, you can also check out my site where you can drop me a message or view more of my photos on my Facebook page.
As the time drew closer to the gig I must admit I got more and more excited... having listened to this band for about 8 years now and never had a chance to see them I was so anxious to start shooting. I had never been to the O2 academy in Leeds either so had no idea really what the shooting conditions would be like or what sort of lighting was usually used there (I was hoping it wasn’t the dreaded ‘red light’ or else I would be in trouble, unfortunately I'm not rich enough to get a fixed 2.8 or even 1.8 lens so I had my trusty 3.5 wide angle and zoom lens on hand).
Me and my mate arrived at the academy with plenty of time to spare, I always like to arrive early to get a clear picture of the equipment setup I might need and also to take a look round the venue and have some chats with the other toggers there. At the Leeds show there were only 6 toggers including me so I knew the pit wouldn’t be that cramped and I would have plenty of space to shoot without getting in anyone’s way. Arriving at the guest box office we were told that we were not down for any passes which gave me a slight heart attack but then they found our names and I had my pass for the night which let me shoot the first 3 songs from the pit with no flash... and even better there was NO photo release form to sign which for any photographer out there is a serious benefit!
The band before W.A.S.P I didn’t really pay attention to just waited for the main act to come on so I could get my pictures and then venture out into the crowd to watch the show. When the time came I started with my wide angle lens (14-42mm) as I had already done a shot test with the zoom lens and I found it to be a little too zoomed in... W.A.S.P was a band that I knew would be better off with full body shots rather than close up face shots. The band entered to an uproar of applause and kicked into their first song which then the toggers in the pit started shooting. It was difficult at first because they played a high tempo song and were moving around constantly and not even stopping to pose for the camera. Never the less I got my shots and left the pit to take a look at them... I a few hundred shots and managed to narrow them down to about 25 that really stood out for me... any lens blur just wouldn’t do for me.
I managed to have a chat to another photographer that I knew in name but never had met in person... Tracey Welch, who also blogs as well and is friends with some other people I know so it wasn’t too awkward introducing myself to her. Having shot for the likes of NME she knows what she’s doing in the business of photography!
Overall it was a cracking night and a review will be posted soon on the music website The Sheffield Scenester, you can also check out my site where you can drop me a message or view more of my photos on my Facebook page.
Labels:
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W.A.S.P
Thursday, 14 June 2012
Slash, Download 2012
After being with the hugely successful rock band Guns n’
Roses, song writer and guitarist Slash appeared with his new band at the 2012
Download festival headlining the Zippo encore stage on the Friday night. He and Axl Rose both worked together throughout the 80’s and 90’s in Guns n’
Roses and collectively released hugely successful songs and albums the most
well known and received album being the 1987 album titled “Appetite For Destruction”
which featured hits such as ‘Night Train’ ‘Welcome to the Jungle’ and ‘Paradise
City’ all which have peaked in the top 100 and even got to number 1. After the
band split up, and left front man Axl Rose on his own, he formed the ‘new’ Guns n’
Roses and Slash teamed up with various artists to bring out his first self
tiled album “Slash” which was released in 2010 and which features artists such
as Fergie, Lemmy and Iggy Pop. After this album went down well with critics and
the fans slash joined up with Alter Bridge’s lead man Myles Kennedy to record a
second album, just released a few months back. Slash and Myles started their
musical relationship while recording the song ‘Starlight’ which was featured on
the “Slash” album, said Myles at Download festival and they have taken it from
there.
After having bands on the Zippo stage all day the crowd were
getting restless and wanted to see what they had stood all day for... and in
the rain! Bands that also featured on the Zippo stage were The Quire Boys, the reunited
Little Angels, Nightwish and, if they had turned up on time Europe, but a
delayed flight into Donington meant that their set got cut from the whole
festival. The crowd had expectations from Slash and he certainly delivered to
them playing all of his greatest hits and even putting in some new material
from his latest album, as he should. He opened with ‘One Last Thrill’ and then
proceeding onto the Guns n’ Roses song ‘Night Train’ to wish Myles had put his
own mark on the vocals and which left Axl’s version in the dust! There was no comparison,
Myles was just an overall better man for the job he even comes with the added
bonus of actually turning up on time and sober! His voice has an edge to it
that makes him perfect to sing the new material he has wrote with slash to
singing some early Guns n’ Roses stuff that he didn’t sing on.
I had never seen Slash live before but listen to him
constantly on both my music player and his live stuff that shown on TV and I
was really excited about hearing these flaming solos I have only ever heard but
never witnessed. I have to hand it to him; he knows how to work that guitar!
Every note he played had electric running through it and even while dancing
around on stage like a headless chicken, still managed to pull off some amazing
stuff on his famous Les Paul axe. All the other band members turned their
instruments down when he was soloing which was good as we heard them clearly
(which is what we were there for, after the entire act is called Slash). You could
say that’s harder for him as with his guitar being the centre of attention he
has NO room for error and there wasn’t any. All the solos were just how they
sounded on the studio albums if not better as they had that input of some improve
on Slashes part.
After about an hour of pleasing the crowd with some fast hits
and wild solos the band on stage slowed the pace down a bit and played the song
that brought Myles and Slash together ‘Starlight’ to which lighters were
brought out and hands were swung in the air. It was a magical moment to watch
and even more to see the Download crowd sing their hearts out and to watch
Slash play some soft riffs, a well needed break for the band... and the crowd
for that matter!! After that they soared through more hits of both Slash’s and
Guns n’ Roses including ‘Mr Brownstone’ and ‘Sweet Child O’ Mine’ before ending
on a killer ‘Paradise City’. I never thought I would get to hear this played by
Slash as I didn’t know that he still played this, and from the crowd’s reaction
neither did they! The crowd were once again warmed up to go crazy and Myles had
them under his control telling them to sing and they did. If you ever get to
hear 20,000 people singing at the same time it is a wonderful moment. The final
solo that Slash pulled off was crazy, I'm surprised that the band could keep
up. He was on FIRE! He ripped through the solo going crazy all over the stage
before finally thanking Donington for being there to support him and his band
and finally walked off.
Every band that day played amazingly and pleased the crowd,
the only downside was not to see Europe play put instead having to hear the
fans in the crowd sing ‘The Final Countdown’ which I have to admit was pretty funny.
Till next year Donington...
Please checkout my site for my work and contact details here
Or for my FaceBook page which is has up to date reviews click here
Wednesday, 16 May 2012
Press pass for Brit floyd
Just a quick update to say I have got a press pass for the Brit floyd show at the Sheffield city hall. I have also been given a pair of tickets to show (how nice of the promotors). I will upload a full review and pictures after the event which is next thursday on the 24th. Till then...
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